切換到寬版
  • 廣告投放
  • 稿件投遞
  • 繁體中文
    • 4498閱讀
    • 0回復

    [轉載]本周Barco 55000lm 激光投影演示 [復制鏈接]

    上一主題 下一主題
    離線mang2004
     
    發(fā)帖
    2411
    光幣
    11268
    光券
    0
    只看樓主 倒序閱讀 樓主  發(fā)表于: 2012-01-12
    以下是1月9日的業(yè)界新聞原文:Posted by David Keene at 01/09/2012 09:24:43 PM 0Q*-g}wXfS  
    轉載自:http://www.systemscontractor.com/blog/69162.aspx P7Z<0Dt\}  
    Bb_}YU2#  
    Barco Unveils Digital Cinema Breakthroughs ^(m0M$Wk*  
    toN  
    The 2nd Annual Moody Gardens Digital Cinema Symposium kicked off Monday at Moody Gardens in Galveston, Texas. Barco, teaming with museum cinema integration company D3D Cinema, is the event’s host, and Barco–as much of the electronics industry played with gadgets at CES in Vegas– unveiled some impressive large-screen milestones here in Galveston, on day one of the two-day event. p9w%kM?  
    1bDJ}M~]z  
    In demos for an audience of select reporters, theater owners, consultants, and analysts, Barco has demo’d its Enhanced 4K DLP Cinema 3D offering, Auro-3D multi channel three dimensional audio system, and a new prototype Laser projector. %d-`71|lG^  
    m\} =4b  
    Barco first released its 4K DLP Cinema projector in 2010– but Barco is now exploring higher frame rates. The specification of 48fps in the DCI spec ushered in 3D. But further evolution of frame rates will see the ability to achieve 60, 96, and 120 fps performance– to be able to do 30fps, 48fps, and even 60fps 3D. And DLP technology– that Barco (as well as the other DLP Cinema licensees Christie and NEC) uses for its light engine– can more easily move to these faster frame rates– with a software upgrade– than can Sony’s SXRD technology. 2:/u2K  
    #_,uE9  
    We all learned years ago– in film school or in the field– that great audio can make the difference in the movie experience. And we attendees of this Digital Cinema Symposium were reminded today by Brian Claypool, Sr. Director, Strategic Business Development, Media and Entertainment, Barco, that in fact Barco got it’s start in audio– as the “Belgium American Audio Company”. And we experienced a very impressive demo Monday of the new Auro-3D system from Barco and Auro Technologies. Auro-3D is a sound system designed along three spatial axes (width, depth and height) rather than the two axes as found in traditional surround sound. E.4n}s  
    IPkA7VhFF  
    The full Auro-3D loudspeaker layout is defined for up to 13.1 channels, but 11.1 will be the more common format for movie theaters. Auro-3D technology is compatible with existing formats, standards and distribution mechanisms, so according to Barco, “only a minimal hardware and installation investment is required to upgrade from traditional 5.1 to the Auro-3D 11.1 audio format.” 8q{1E];:q  
    Kd TE{].d  
    In the demo at Moody Gardens, Barco played some custom-produced recordings of city streets in Brussels, Belgium, as well as clips from “Red Tails”, the new movie that will be released to theaters this month, that is produced by George Lucas and based on the Tuskegee Airmen, the group of African-American combat pilots during World War II. I can say that the only time I’ve ever heard such dynamic, three dimensional sound was in a very custom (and expensive) demo in a Cirque Du Soleil theater in Las Vegas. The aural modeling achieved in the Barco demos Monday was awe-inspiring. The addition of the “height” channel that adds on a layer, and particularly the overhead channel really brings the audio to life. mj,qQ=n;p  
    !}j,TPpG  
    Barco is trying– in competition with Dolby and a small group of other companies– to bring audio back into the movie theater experience in way that is as dramatic, and market-defining, as was the introduction of THX in movie theaters years ago. Auro-3D goes beyond Dolby’s previous 7.1DS format, and it does not use the rather complex and expensive “wave field synthesis” approach that IOSONO tried a few years back but alters the perception of spatial sound by adding multiple speakers in a hemispherical array. And key to this offering from Barco is that no extra distribution is needed from the studios. With Auro-3D, audio tracks can be created in the multiple source points originally, or upmixed from 5.1 to 11.1. But if a system is 5.1, it can extract just those tracks from 11.1 material. No need to release separate 5.1 and 11.1 material. v?%0~!  
    T!&jFy*W  
    Barco has completed the first Auro-3D installations in the United States at select commercial theaters for Cinemark (in Dallas), Regal Entertainment Group (Los Angeles) and AMC Entertainment (Miami). HcDyD0;L.  
    xf[z E